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Tom and Jerry is an American animated media franchise and series of comedy short films created in 1940 by William Hanna and Joseph Barbera. Best known for its 161 theatrical short films by Metro-Goldwyn-Mayer, the series centers on the rivalry between the titular characters of a cat named Tom and a mouse named Jerry. Many shorts also feature several recurring characters.

In its original run, Hanna and Barbera produced 114 Tom and Jerry shorts for MGM from 1940 to 1958. During this time, they won seven Academy Awards for Best Animated Short Film, tying for first place with Walt Disney's Silly Symphonies with the most awards in the category. After the MGM cartoon studio closed in 1957, MGM revived the series with Gene Deitch directing an additional 13 Tom and Jerry shorts for Rembrandt Films from 1961 to 1962. Tom and Jerry then became the highest-grossing animated short film series of that time, overtaking Looney Tunes. Chuck Jones then produced another 34 shorts with Sib Tower 12 Productions between 1963 and 1967. Three more shorts were produced, The Mansion Cat in 2001, The Karate Guard in 2005, and A Fundraising Adventure in 2014, making a total of 164 shorts.

A number of spin-offs have been made, including the television series The Tom and Jerry Show, The Tom and Jerry Comedy Show, Tom & Jerry Kids, Tom and Jerry Tales, and The Tom and Jerry Show. The first feature-length film based on the series, Tom and Jerry: The Movie, was released in 1992, and 13 direct-to-video films have been produced since 2002, with a live-action/animated hybrid film released in 2021. A musical adaptation of the series, titled Tom and Jerry: Purr-Chance to Dream, debuted in Japan in 2019 in advance of Tom and Jerrys 80th anniversary.

Tom and Jerry has been on Boomerang ever since the channel's launch on April 1, 2000.
Plot 

The series features comic fights between two lifelong enemies, a cat and a mouse. The plots of each short usually center on Tom and Jerry causing mayhem and destruction, as they antagonize each other. Despite Tom's clever strategies, determined and energetic mindset, large size, and exceptional overall intelligence, he rarely succeeds in getting the best of Jerry, mainly because of Jerry's cunning abilities, luck, and his lack of tendencies in being a bit too reckless. However, on several occasions, they have displayed genuine friendship and concern for each other's well-being. At other times, the pair set aside their rivalry in order to pursue a common goal, such as when a baby escapes the watch of a negligent babysitter, causing Tom and Jerry to pursue the baby and keep it away from danger, in the shorts Busy Buddies and Tot Watchers respectively. Despite their endless attacks on one another, they have saved each other's lives every time they were truly in danger, except in The Two Mouseketeers, which features an uncharacteristically morbid ending.

The cartoons are known for some of the most violent cartoon gags ever devised in theatrical animation: Tom may use axes, hammers, firearms, firecrackers, explosives, traps and poison to kill Jerry. On the other hand, Jerry's methods of retaliation are far more violent, with frequent success, including slicing Tom in half, decapitating him, shutting his head or fingers in a window or a door, stuffing Tom's tail in a waffle iron or a mangle, kicking him into a refrigerator, getting him electrocuted, pounding him with a mace, club or mallet, letting a tree or electric pole drive him into the ground, sticking matches into his feet and lighting them, tying him to a firework and setting it off, and so on. While Tom and Jerry has often been criticized as excessively violent, there is no blood or gore in any scene.

Music plays a very important part in the shorts, emphasizing the action, filling in for traditional sound effects, and lending emotion to the scenes. Musical director Scott Bradley created complex scores that combined elements of jazz, classical, and pop music; Bradley also often used contemporary pop songs and songs from other films, including MGM films like The Wizard of Oz and Meet Me in St. Louis, which both starred Judy Garland in a leading role.

Generally, there is little dialogue as Tom and Jerry almost never speak; however, minor characters are not similarly limited, and the two lead characters do speak English on rare occasions. For example, the character Mammy Two Shoes has lines in nearly every cartoon in which she appears. Most of the vocal effects used for Tom and Jerry are their high-pitched laughs and gasping screams.

Characters 

Tom and Jerry 

Tom is a gray and white domestic shorthair cat. He is usually but not always, portrayed as living a comfortable, or even pampered life, while Jerry is a small, brown house mouse who always lives in close proximity to Tom. Despite being very energetic, determined and much larger, Tom is no match for Jerry's wits. Jerry also possesses surprising strength for his size, approximately the equivalent of Tom's, lifting items such as anvils with relative ease and withstanding considerable impacts. Although cats typically chase mice to eat them, it is quite rare for Tom to actually try to eat Jerry, but only to hurt or compete with him as usual in a more intimidating strategy to just taunt Jerry, and even to obtain a reward from a human /master for catching Jerry, or for generally doing his job greatly as a house cat. By the final "fade-out" of each cartoon, Jerry usually gets the best of Tom.

However, other results may be reached. On rare occasions, Tom triumphs, usually when Jerry becomes the aggressor or he pushes Tom a little too far. In The Million Dollar Cat Jerry learns that Tom will lose his newly acquired wealth if he harms any animal, especially mice; he then torments Tom a little too much until he retaliates. In Timid Tabby Tom's look-alike cousin pushes Jerry over the edge. Occasionally and usually ironically, they both lose, usually because Jerry's last trap or attack on Tom backfires on him or he overlooks something. In Chuck Jones' Filet Meow, Jerry orders a shark from the pet store to scare Tom away from eating a goldfish. Afterward, the shark scares Jerry away as well. Finally, they occasionally end up being friends, although, within this set of stories, there is often a last-minute event that ruins the truce. One cartoon that has a friendly ending is Snowbody Loves Me.

Both characters display sadistic tendencies, in that they are equally likely to take pleasure in tormenting each other, although it is often in response to a triggering event. However, when one character appears to truly be in mortal danger from an unplanned situation or due to actions by a third party, the other will develop a conscience and save him. Occasionally, they bond over a mutual sentiment towards an unpleasant experience and their attacking each other is more play than serious attacks. Multiple shorts show the two getting along with minimal difficulty, and they are more than capable of working together when the situation calls for it, usually against a third party who manages to torture and humiliate them both. Sometimes this partnership is forgotten quickly when an unexpected event happens, or when one character feels that the other is no longer necessary. This is the case in Posse Cat, when they agree that Jerry will allow himself to be caught if Tom agrees to share his reward dinner, but Tom then reneges. Other times, however, Tom does keep his promise to Jerry and the partnerships are not quickly dissolved after the problem is solved.

Tom changes his love interest many times. The first love interest is Toots who appears in Puss n' Toots, and calls him "Tommy" in The Mouse Comes to Dinner. He is also interested in a cat called Toots in The Zoot Cat although she has a different appearance to the original Toots. The most frequent love interest of Tom's is Toodles Galore, who never has any dialogue in the cartoons.

Despite five shorts ending with a depiction of Tom's apparent death, his demise is never permanent; he even reads about his own death in a flashback in Jerry's Diary. He appears to die in explosions in Mouse Trouble, Yankee Doodle Mouse and in Safety Second, while in The Two Mouseketeers he is guillotined offscreen. The short Blue Cat Blues ends with both Tom and Jerry sitting on the railroad tracks with the intent of suicide while the whistle of an oncoming train is heard foreshadowing their imminent death.

Tom and Jerry speaking 

Although many supporting and minor characters speak, Tom and Jerry rarely do so themselves. One exception is The Lonesome Mouse where they speak several times briefly, primarily Jerry, to contrive to get Tom back into the house. Tom more often sings while wooing female cats; for example, Tom sings Louis Jordan's "Is You Is or Is You Ain't My Baby" in the 1946 short Solid Serenade. In that short and Zoot Cat, Tom woos female cats using a deep, heavily French-accented voice in imitation of then-popular leading man, actor Charles Boyer. At the end of The Million Dollar Cat, after beginning to antagonize Jerry he says, "Gee, I'm throwin' away a million dollars... BUT I'M HAPPY!" In Tom and Jerry: The Magic Ring, Jerry says, "No, no, no, no, no," when choosing the shop to remove his ring. In The Mouse Comes to Dinner, Tom speaks to his girlfriend Toots while inadvertently sitting on a stove: "Say, what's cookin'?", to which Toots replies "You are, stupid." Another instance of speech comes in Solid Serenade and The Framed Cat, where Tom directs Spike through a few dog tricks in a dog-trainer manner. In Puss Gets the Boot Jerry prays for his life when Tom catches him by the tail. Jerry has also whispered in Tom's ear on several occasions. In Love Me, Love My Mouse Jerry calls Toots "Mama".

Co-director William Hanna provided most of the squeaks, gasps, and other vocal effects for the pair, including the most famous sound effects from the series, Tom's leather-lunged scream and Jerry's nervous gulp.

The only other reasonably common vocalization is made by Tom when some external reference claims a certain scenario or eventuality to be impossible, which inevitably, ironically happens to thwart Tom's plans – at which point, a bedraggled and battered Tom appears and says in a haunting, echoing voice "Don't you believe it!", a reference to the then-popular 1940s radio show Don't You Believe It! In Mouse Trouble, Tom says "Don't you believe it!" after being beaten up by Jerry, which also happens in The Missing Mouse. In the 1946 short Trap Happy, Tom hires a cat disguised as a mouse exterminator who, after several failed attempts to dispatch Jerry and suffering a lot of accidents in the process, changes profession to Cat exterminator by crossing out the "Mouse" on his title and writing "CAT", resulting in Tom spelling out the word out loud before reluctantly pointing at himself. One short, 1956's Blue Cat Blues, is narrated by Jerry in voiceover as they try to win back their ladyfriends. Jerry was voiced by Sara Berner during his appearance in the 1945 MGM musical Anchors Aweigh. Tom and Jerry: The Movie is the first installment of the series where the famous cat-and-mouse duo regularly speaks or is able to be understood by humans. In that film, Tom was voiced by Richard Kind, and Jerry was voiced by Dana Hill.

Spike and Tyke 

In his attempts to catch Jerry, Tom often has to deal with Spike, an angry, vicious but easily duped bulldog who tries to attack Tom for bothering him or his son Tyke while trying to get Jerry. Originally, Spike was unnamed and mute as well as attacking indiscriminately, not caring whether it was Tom or Jerry though usually attacking Tom. In later cartoons, Spike spoke often, using a voice and expressions modeled after comedian Jimmy Durante. Spike's coat has altered throughout the years between gray and creamy tan. The addition of Spike's son Tyke in the late 1940s led to both a slight softening of Spike's character and a short-lived spin-off theatrical series.

Most cartoons with Spike in them conform to a theme: usually, Spike is trying to accomplish something when Tom and Jerry's antics stop him doing it. Spike then singles out Tom as the culprit, and threatens him that if it ever happens again, he will do "something horrible" to him while Jerry overhears; afterward, Jerry usually does anything he can to interrupt whatever Spike is doing while Tom barely manages to stop him. Usually, Jerry does eventually wreck whatever Spike is doing in spectacular fashion and leaves Tom to take the blame, forcing him to flee from Spike and inevitably lose. Off-screen, Spike does something to Tom and finally, Tom is generally shown injured or in a bad situation while Jerry smugly cuddles up to Spike unscathed. Tom sometimes gets irritated with Spike. At least once, however, Tom does something that benefits Spike, who promises not to interfere ever again; causing Jerry to frantically leave the house and run into the distance. Spike is well known for his famous "Listen pussycat! catchphrase when he threatens Tom, his other famous catchphrase is "That's my boy! normally said when he supports or congratulates his son.

Tyke is described as a cute, sweet-looking, happy and lovable puppy. He is Spike's son; but unlike Spike, Tyke does not speak and only communicates by barking, yapping, wagging his tail, whimpering and growling. Spike would always go out of his way to care and comfort his son and make sure that he is safe from Tom. Tyke loves his father and Spike loves his son and they get along like friends, although most of time they would be taking a nap or Spike would teach Tyke the main facts of life of being a dog. Like Spike, Tyke's appearance has altered throughout the years, from gray to creamy tan. When Tom & Jerry Kids first aired, this was the first time that viewers could hear Tyke speak.

Butch and Toodles Galore 

Butch is a black, cigar-smoking alley cat who also wants to eat Jerry. He is Tom's most frequent adversary. However, for most of the shorts he appears in, he is usually seen rivaling Tom over Toodles. Butch was also Tom's chum as in some cartoons, where Butch is leader of Tom's alley cat buddies, who are mostly Lightning, Topsy, and Meathead. Butch talks more often than Tom or Jerry in most shorts.

Butch and Toodles were originally introduced in Hugh Harman's 1941 short The Alley Cat, but were integrated into Tom and Jerry rather than continuing in their own series.

Nibbles 

Nibbles is a small gray mouse who often appears in shorts as an orphan mouse. He is a carefree individual who very rarely understands the danger of the situation, simply following instructions the best he can both to Jerry's command and his own innocent understanding of the situation. This can lead to such results as "getting the cheese" by simply asking Tom to pick it up for him, rather than following Jerry's example of outmaneuvering and sneaking around Tom. Many times Nibbles is an ally of Jerry in fights against Tom, including being the second Mouseketeer. He is given speaking roles in all his appearances as a Mouseketeer, often with a high-pitched French tone. However, during a short in which he rescued Robin Hood, his voice was instead more masculine, gruff, and cockney accented.

Mammy Two Shoes 

Mammy Two Shoes is a heavy-set, middle-aged black woman who often has to deal with the mayhem generated by the lead characters. Voiced by character actress Lillian Randolph, she is often seen as the owner of Tom. Her face was only shown once, very briefly, in Saturday Evening Puss. Mammy's appearances have often been edited out, dubbed, or re-animated as a slim white woman in later television showings, since her character is a mammy archetype that had been protested as racist by the NAACP and other civil rights groups since the 1940s. She was mostly restored in the DVD releases of the cartoons, with an introduction by Whoopi Goldberg on the Tom and Jerry Spotlight Collection: Vol. 2 DVD set explaining the importance of African-American representation in the cartoon series, however stereotyped.

History 

"Tom and Jerry" was a commonplace phrase for young men given to drinking, gambling, and riotous living in 19th-century London, England. The term comes from Life in London; or, The Day and Night Scenes of Jerry Hawthorn, Esq., and his elegant friend, Corinthian Tom by Pierce Egan, the British sports journalist who also authoring and writing another and related novel, Boxiana. However Brewer notes no more than an "unconscious" echo of the Regency era original in the naming of the cartoon.

Hanna-Barbera era 

In August 1937, animator and storyman Joseph Barbera began to work at MGM, then the largest studio in Hollywood. An early thought involved a fox and a dog before they settled on a cat and mouse. The pair discussed their ideas with producer Fred Quimby, then the head of the short film department who, despite a lack of interest in it, gave them the green-light to produce one cartoon short. named Jinx in pre-production, and an African American housemaid named Mammy Two Shoes. Leonard Maltin described it as "very new and special that was to change the course of MGM cartoon production" and established the successful Tom and Jerry formula of comical cat and mouse chases with slapstick gags. Puss Gets the Boot was a critical success, earning an Academy Award nomination for Best Short Subject: Cartoons in 1941 despite the credits listing Ising and omitting Hanna and Barbera. Hanna did the animation timing - planning the music and temporal beats and accents the animation action would occur on - and subsequently assigned the animators their scenes and supervised their work. All were directed by Gene Deitch and produced by William L. Snyder.

Deitch states that, being a "UPA man", he was not a fan of the Tom and Jerry cartoons, thinking they were "needlessly violent". However, after being assigned to work on the series, he quickly realized that "nobody took seriously", and it was merely "a parody of exaggerated human emotions". He also came to see what he perceived as the "biblical roots" in Tom and Jerry's conflict, similar to David and Goliath, stating "That's where we feel a connection to these cartoons: the little guy can win to fight another day."

Whereas Hanna-Barbera's shorts generally took place in and outside of a house, Deitch's shorts opted for more exotic locations, such as a 19th-century whaling ship, the jungles of Nairobi, an Ancient Greek acropolis, or the Wild West. In addition, Mammy Two-Shoes was replaced as Tom's owner by a bald, overweight, short-tempered, middle-aged white man, who bore a striking resemblance to another Deitch character, Clint Clobber. Just like Spike the Bulldog, he was also significantly more brutal and violent in punishing Tom's actions as compared to previous owners, often beating and thrashing Tom repeatedly; the character and his extreme treatment of Tom was poorly received.

To avoid being linked to Communism, Deitch romanized the Czech names of his crew in the opening credits of the shorts. In addition, these shorts are among the few Tom and Jerry cartoons not to carry the "Made In Hollywood, U.S.A." phrase on the end title card; due to Deitch's studio being behind the Iron Curtain, the production studio's location is omitted entirely on it. Despite the criticism, Deitch's Tom and Jerry shorts are appreciated by some fans due to their uniquely surreal nature. The shorts were released on DVD in 2015 in "Tom and Jerry: The Gene Deitch Collection".

Production formats

The 1960s entries were done in Metrocolor but returned to the standard Academy ratio and format.

Chuck Jones era 

After the last of the Deitch cartoons were released, Chuck Jones, who had been fired from his 30-plus year tenure at Warner Bros. Cartoons, started his own animation studio, Sib Tower 12 Productions, with partner Les Goldman. Beginning in 1963, Jones and Goldman went on to produce 34 more Tom and Jerry shorts, all of which carried Jones' distinctive style.

Jones had trouble adapting his style to Tom and Jerrys brand of humor, and a number of the cartoons favored full animation, personality and style over storyline. The characters underwent a slight change of appearance: Tom was given thicker eyebrows, a less complex look, sharper ears, longer tail and furrier cheeks, while Jerry was given larger eyes and ears, a lighter brown color, and a sweeter, Porky Pig-like expression.

Some of Jones' Tom and Jerry cartoons are reminiscent of his work with Wile E. Coyote and the Road Runner, included the uses of blackout gags and gags involving characters falling from high places. Jones co-directed the majority of the shorts with layout artist Maurice Noble. The remaining shorts were directed by Abe Levitow and Ben Washam, with Tom Ray directing two shorts built around footage from earlier Tom and Jerry cartoons directed by Hanna and Barbera, and Jim Pabian directed a short with Maurice Noble. Various vocal characteristics were made by Mel Blanc, June Foray and even Jones himself. These shorts contain a memorable opening theme, in which Tom first replaces the MGM lion, then is trapped inside the "O" of his name. In these cartoons, Tom and Jerry, who had been enemies during their formative years, became nonviolent pals who went on adventures together, as Hanna-Barbera had to meet the stringent rules against violence for children's TV. This format has not been used in newer Tom and Jerry entrees.

Filmation era 

Filmation Studios were commissioned by MGM Television to produce a Tom and Jerry TV series, The Tom and Jerry Comedy Show, which debuted in 1980 and also featured new cartoons starring Droopy, Spike, Slick Wolf, and Barney Bear, not seen since the original MGM shorts. The Filmation Tom and Jerry cartoons were noticeably different from Hanna-Barbera's efforts, as they returned Tom and Jerry to the original chase formula, with a somewhat more "slapstick" humor format. This incarnation, much like the 1975 version, was not as well received by audiences as the originals, and lasted on CBS Saturday mornings from September 6, 1980, to September 4, 1982. Tales is the first Tom and Jerry TV series that utilizes the original style of the classic shorts, along with the slapstick. Tales is also the first Tom and Jerry production produced in 16:9 widescreen aspect ratio but was cropped to 4:3 fullscreen aspect ratio when initially aired on in the United States. The series was canceled in 2008, shortly before the Kids' WB block shut down.

Cartoon Network, which began rerunning Tom and Jerry Tales in January 2012, subsequently launched a series titled The Tom and Jerry Show consisting of two 11-minute shorts per episode that likewise sought to maintain the look, core characters and sensibility of the original theatrical shorts. Similar to other reboot works like Scooby-Doo! Mystery Incorporated and New Looney Tunes, several episodes the new series brought Tom and Jerry into contemporary environments, telling new stories and relocating the characters to more fantastic worlds, from a medieval castle to a mad scientist's lab. The series was produced by Warner Bros. Animation, with Sam Register serving as executive producer in collaboration with Darrell Van Citters and Ashley Postelwaite at Renegade Animation. Originally slated for a 2013 Cartoon Network premiere, the series was pushed back to April 9, 2014. It is the second Tom and Jerry production presented in 16:9 widescreen aspect ratio.

In November 2014, a two-minute sketch was shown as part of the Children in Need telethon in the United Kingdom, the sketch was produced as a collaboration with Warner Bros.

In May 2016, WB Kids began releasing excerpts from various Tom and Jerry works to the online platform YouTube. By January 2017, compilation videos of the Tom and Jerry franchise began to be released by WB Kids on the platform.

On February 20, 2021, Warner Bros. released two new shorts onto HBO Max titled Tom and Jerry Special Shorts to honor the 81st anniversary of Tom and Jerry, as well as to promote the 2021 film. These shorts share the style of the other HBO Max original Looney Tunes Cartoons, also produced by Warner Bros. Animation.

Outside the United States 

When shown on terrestrial television in the United Kingdom Tom and Jerry cartoons were not edited for violence, and Mammy was retained. As well as having regular slots, Tom and Jerry served the BBC in another way. When faced with disruption to the schedules, the BBC would invariably turn to Tom and Jerry to fill any gaps, confident that it would retain much of an audience that might otherwise channel hop. This proved particularly helpful in 1993, when Noel's House Party had to be cancelled due to an IRA bomb scare at BBC Television Centre; Tom and Jerry was shown instead, bridging the gap until the next programme. In 2006, a mother complained to Ofcom about the smoking shown in the cartoons, since Tom often attempts to impress love interests with the habit, resulting in reports that the smoking scenes in Tom and Jerry films may be subject to censorship.

Due to its very limited use of dialogue, Tom and Jerry was easily translated into various foreign languages. Tom and Jerry began broadcast in Japan in 1965. A 2005 nationwide survey taken in Japan by TV Asahi, sampling age groups from teenagers to adults in their sixties, ranked Tom and Jerry No. 85 in a list of the top 100 "anime" of all time; while their web poll taken after the airing of the list ranked it at No. 58 – the only non-Japanese animation on the list, and beating anime classics like Tsubasa: Reservoir Chronicle, A Little Princess Sara, and the ultra-classics Macross and Ghost in the Shell. Tom and Jerry also serve as long-time licensed mascots for Gifu-based Juroku Bank.

Unlike some other Western cartoons such as Bob the Builder, whose characters had to be doctored to have five fingers in each hand instead of the original four, Tom and Jerry aired in Japan without such edits, as did other series starring non-human protagonists such as SpongeBob SquarePants.

Tom and Jerry have long since been popular in Germany. The different shorts are usually linked together with key scenes from Jerry's Diary, in which Tom reads about his and Jerry's past adventures. The cartoons are introduced with rhyming German language verse, and when necessary, a German voice spoke the translations of English labels on items and similar information.

The show was aired in mainland China by CCTV in the mid-1980s to the early 1990s and was extremely popular at the time. Collections of the show are still a prominent feature in Chinese book stores.

In the Philippines, the series was aired on ABS-CBN from 1966 until its closure due to the country's declaration of martial law in 1972, with the later Hanna-Barbera shorts from Barbecue Brawl to Tot Watchers and all of Gene Deitch and Chuck Jones shorts. RPN aired most of Hanna-Barbera shorts from 1977 until 1989. ABS-CBN would later return to the air after the restoration of democracy in 1986 and air the same shorts as in the pre-martial law era. This lasted until the end of 1988.

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